Hyper Voice: Difference between revisions
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{{Anchor|Hyper Voice Output}} | {{Anchor|Hyper Voice Output}} | ||
=== Hyper Voice Left Output ($64, $65) === | === Hyper Voice Left Output ($64, $65 write) === | ||
=== Hyper Voice Right Output ($66, $67) === | === Hyper Voice Right Output ($66, $67 write) === | ||
<pre> | <pre> | ||
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---- ---- ---- ---- | ---- ---- ---- ---- | ||
ssss ssss ssss ssss | ssss ssss ssss ssss | ||
|||| |||| |||| |||| | |||
++++-++++--++++-++++- Signed 16-bit sample. | ++++-++++--++++-++++- Signed 16-bit sample. | ||
</pre> | </pre> | ||
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{{Anchor|Hyper Voice Input}} | {{Anchor|Hyper Voice Input}} | ||
=== Hyper Voice | === Hyper Voice Input ($69 write) === | ||
<pre> | <pre> | ||
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---- ---- | ---- ---- | ||
ssss ssss | ssss ssss | ||
++++-++++- 8-bit sample. | |||| |||| | ||
++++-++++- Signed 8-bit sample. | |||
</pre> | </pre> | ||
Hyper Voice samples are typically written by [[DMA|Sound DMA]], but can also be written manually by the user. In the latter case, the "channel mode" setting is ignored - it always behaves as if it were in "stereo" mode, writing one channel after the other in sequence. | |||
{{Anchor|Hyper Voice Control}} | {{Anchor|Hyper Voice Control}} | ||
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<pre> | <pre> | ||
15 bit | 15 bit 8 7 bit 0 | ||
---- ---- ---- ---- | ---- ---- ---- ---- | ||
.mmc | .mmc ???? errr ffss | ||
||| |||| |||| | |||
||| |||| ||++- Shift/Volume: | ||| |||| ||++- Shift/Volume: | ||
||| |||| || 0 = 100% 1 = 50% | ||| |||| || 0 = 100% 1 = 50% | ||
||| |||| || 2 = 25% 3 = 12.5% | ||| |||| || 2 = 25% 3 = 12.5% | ||
||| |||| ++--- | ||| |||| ++--- Sample scaling mode: | ||
||| |||| 0 = Unsigned | ||| |||| 0 = Unsigned | ||
||| |||| 1 = Unsigned, | ||| |||| 1 = Unsigned, negated | ||
||| |||| 2 = Signed | ||| |||| 2 = Signed | ||
||| |||| 3 = | ||| |||| 3 = Ignored | ||
||| |+++------ Update sample rate/Divisor: | ||| |+++------ Update sample rate/Divisor: | ||
||| | 0 = 24000/1 = 24000 Hz | ||| | 0 = 24000/1 = 24000 Hz | ||
Line 56: | Line 57: | ||
||| | 7 = 24000/12 = 2000 Hz | ||| | 7 = 24000/12 = 2000 Hz | ||
||| +--------- Enable: 0 = off, 1 = on | ||| +--------- Enable: 0 = off, 1 = on | ||
||+----------------- | ||+----------------- Reset: When 1 is written, the following DMA sample | ||
|| will be used for the left channel. | |||
++------------------ Channel mode: | ++------------------ Channel mode: | ||
0 = Stereo | 0 = Stereo | ||
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3 = Mono, both channels | 3 = Mono, both channels | ||
</pre> | </pre> | ||
Internally, 8-bit values of the form <tt style="white-space: nowrap">Vvvv vvvv</tt> are transformed to signed 16-bit samples based on the scaling mode as follows, where <code>V</code> represents the highest, 7th bit of the input value: | |||
{| class="wikitable" | |||
! Sample scaling mode | |||
! Bit representation | |||
|- | |||
| Unsigned | |||
| <tt style="white-space: nowrap">000 Vvvv vvvv 0000 0000</tt> | |||
|- | |||
| Unsigned, negated | |||
| <tt style="white-space: nowrap">111 Vvvv vvvv 0000 0000</tt> | |||
|- | |||
| Signed | |||
| <tt style="white-space: nowrap">VVV Vvvv vvvv 0000 0000</tt> | |||
|- | |||
| Ignored | |||
| <tt style="white-space: nowrap">___ Vvvv vvvv 0000 0000</tt> | |||
|} | |||
With the exception of the Ignored mode, the resulting value is shifted right by <code>Shift</code> bits, and the result's bottom 16 bits are used as the sample. |
Latest revision as of 14:53, 29 March 2024
Hyper Voice is a headphone-only sample output channel introduced with the WonderSwan Color. It allows converting 8-bit signed and unsigned, mono and stereo samples into 16-bit signed PCM sent directly to the headphone output, after mixing with the traditional four channels.
I/O Ports
Hyper Voice Left Output ($64, $65 write)
Hyper Voice Right Output ($66, $67 write)
15 bit 8 7 bit 0 ---- ---- ---- ---- ssss ssss ssss ssss |||| |||| |||| |||| ++++-++++--++++-++++- Signed 16-bit sample.
Unlike the Sound sample output registers, these can be written to - allowing for direct 16-bit sample output.
Hyper Voice Input ($69 write)
7 bit 0 ---- ---- ssss ssss |||| |||| ++++-++++- Signed 8-bit sample.
Hyper Voice samples are typically written by Sound DMA, but can also be written manually by the user. In the latter case, the "channel mode" setting is ignored - it always behaves as if it were in "stereo" mode, writing one channel after the other in sequence.
Hyper Voice Control ($6A, $6B)
15 bit 8 7 bit 0 ---- ---- ---- ---- .mmc ???? errr ffss ||| |||| |||| ||| |||| ||++- Shift/Volume: ||| |||| || 0 = 100% 1 = 50% ||| |||| || 2 = 25% 3 = 12.5% ||| |||| ++--- Sample scaling mode: ||| |||| 0 = Unsigned ||| |||| 1 = Unsigned, negated ||| |||| 2 = Signed ||| |||| 3 = Ignored ||| |+++------ Update sample rate/Divisor: ||| | 0 = 24000/1 = 24000 Hz ||| | 1 = 24000/2 = 12000 Hz ||| | 2 = 24000/3 = 8000 Hz ||| | 3 = 24000/4 = 6000 Hz ||| | 4 = 24000/5 = 4800 Hz ||| | 5 = 24000/6 = 4000 Hz ||| | 6 = 24000/8 = 3000 Hz ||| | 7 = 24000/12 = 2000 Hz ||| +--------- Enable: 0 = off, 1 = on ||+----------------- Reset: When 1 is written, the following DMA sample || will be used for the left channel. ++------------------ Channel mode: 0 = Stereo 1 = Mono, left channel only 2 = Mono, right channel only 3 = Mono, both channels
Internally, 8-bit values of the form Vvvv vvvv are transformed to signed 16-bit samples based on the scaling mode as follows, where V
represents the highest, 7th bit of the input value:
Sample scaling mode | Bit representation |
---|---|
Unsigned | 000 Vvvv vvvv 0000 0000 |
Unsigned, negated | 111 Vvvv vvvv 0000 0000 |
Signed | VVV Vvvv vvvv 0000 0000 |
Ignored | ___ Vvvv vvvv 0000 0000 |
With the exception of the Ignored mode, the resulting value is shifted right by Shift
bits, and the result's bottom 16 bits are used as the sample.